When Alexa Dirks started describing her latest album as Begonia, Powder Blue, she turns to vivid imagery: her baby blanket, the airiness of clouds on a summer day, chlorine-filled water in a hotel pool, circa-1970s Elvis Presley wearing an ill-fitting jumpsuit, her collection of faded denim jackets.
“Powder Blue is more of an emotion,” explains the Winnipeg, Canada, native. “The name of this album needed to be something that encompasses all of the feelings that these songs give me when they are put together. When I listen to them as a unit, they send me back to the words, the color.”
Fittingly, Powder Blue’s music feels timeless and classic, as well as eclectic. Trip-hop beats and propulsive grooves pulse throughout the album, shadowing Dirks’ stunning voice; she alternates between a dusky croon and an expressive, belting delivery. The album nods to vintage soul (“I’m Not Dying,” “Crying”) sunny R&B (“Bleeding Heart”) and soaring balladry (“Chasing Every Sunrise”). Yet the album is firmly in the realm of contemporary music: Standout “The Only One” is modern, keyboard-polished pop that features Dirks’ most powerful vocal performance on the album.
Begonia has exhibited such power since emerging into the Canadian music scene on the strength of her critically acclaimed 2017 EP Lady In Mind and her 2019 debut full-length album, Fear. The latter was nominated for a JUNO Award for Adult Alternative Album Of The Year and was longlisted for The Polaris Music Prize. Songs from the album were also heard in numerous productions on Netflix & Oprah Winfrey Network, and NPR named Begonia as one of 10 Artists You Need to Know.
Source: The Basement
INDIVIDUAL DATES & TIMES*
- Mar 10, 2023 at 07:00 pm (Fri)
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