You Can't Take It With You

Consider This, Inc. would like to invite you to their next production, “You Can’t Take It With You.” Performances will be held at the old Joywood Cumberland Presbyterian Church in Murfreesboro.

Sponsored by Most Chiropractic, Running Back to Glory, Joel Parks/CPA, Jonathan Harmon/Realtor, Emery’s Fine Art Gallery, Middle Tennessee Christian School, Rock Springs Family Chiropractic, Mr. Transmission, and Club Wag.

Cast:

Penelope Sycamore – Cheryl Jennings
Martin “Grandpa” Vanderhof – Grandpa
Alice Sycamore – Belinda Laureano
Tony Kirby – R J Palhegyi
Anthony Kirby – Tyson Pate
Essie Carmichael – Elizabeth Krebs
Bolus Kolenkhov – Nathan Krebs
Paul Sycamore – Stan Jennings
Ed Carmichael – Thomas Esson
Mr. De Pinna – Andy Martinez
Donald – Logan Elkins
Rheba – Madison Titshaw
Wilbur C. Henderson – Danny Wells
Miriam Kirby – Janice Denson
The Grand Duchess Olga Katrina – Alyssa Krebs
Gay Wellington – Kathy Reeves
Head G-Man – Danny Wells
Mac – Gabriel Redding
Jemette – Esther Redding

Crew:

Director – Thomas Esson
Assistant Directors – Malinda Brafford/Josh Jennings
Set Construction – Josh Jennings/Stan Jennings
Stage Manager – Malinda Brafford
Hair and Makeup – Alyssa Krebs/Malinda Brafford
Lighting Design – Jessica Wells
Lighting Operators – Pam Pate/Jessica Wells
Costumes – Malinda Brafford

At first the Sycamores seem mad, but it is not long before we realize that if they are mad, the rest of the world is madder. In contrast to these delightful people are the unhappy Kirbys. The plot shows how Tony, attractive young son of the Kirbys, falls in love with Alice Sycamore and brings his parents to dine at the Sycamore home on the wrong evening. The shock sustained by the Kirbys, who are invited to eat cheap food, shows Alice that marriage with Tony is out of the question. The Sycamores, however, though sympathetic to Alice, find it hard to realize her point of view. Meantime, Tony, who knows the Sycamores are right and his own people wrong, will not give her up, and in the end Mr. Kirby is converted to the happy madness of the Sycamores, particularly since he happens in during a visit by an ex-Grand Duchess, earning her living as a waitress. No mention has as yet been made of the strange activities of certain members of the household engaged in the manufacture of fireworks; nor of the printing press set up in the parlor; nor of Rheba the maid and her friend Donald; nor of Grandpa’s interview with the tax collector when he tells him he doesn’t believe in the income tax.
One of the most popular and successful plays of modern times.

Source: Submiited