In a business where bands come and go and membership is often a revolving door, the Randy Rogers Band has been together for more than 17 years. “Just like any other relationship, you have to pick your battles and have respect for each other,” Rogers says. “None of us know how to do anything else. This is our life’s work.”
The culmination of their musical journey thus far can be heard on their latest album, Hellbent. “Creatively we all bring something different to the table and you can hear it in the records,” Rogers says. “You can hear people’s personalities in the records.” It’s that blend of unique personalities that have fueled the Randy Rogers Band’s success for nearly two decades.
When the Randy Rogers Band’s last project debuted as the most-downloaded country album on iTunes, plenty of the industry “insiders” on Music Row were left scratching their heads: Who are these guys?
The Nashville elite may not have known about the five-piece band, but much of America already did. Rolling Stone magazine ranked them alongside such artists as U2 and the Stones in its list of Top 10 Must-See Artists in the summer of 2007. They earned $2.5 million—a staggering total for a still-developing act—on the tour circuit in a single year. Willie Nelson, the Eagles, Gary Allan and Dierks Bentley all picked them as opening acts for their concerts. And more than 2,200 people showed up and bought the band’s album at an appearance at Wherehouse Music.
The Randy Rogers Band built its audience by combining forces: It’s a dynamic live act centered around songs that fit the rowdy, party vibe of the concert circuit, but their songs also say something.
That’s particularly true in the new album, The Randy Rogers Band, in which a dozen persuasive tracks give the listener plenty of reasons to want to down a celebratory brewski. But the songs also maintain a depth that makes them powerful and provocative even beyond their edgy arrangements and tough-guy sound.
Invariably, the songs are about people making choices and dealing with the consequences they bring. That’s the case in the opening “Wicked Ways,” in which a string of wild endeavors leaves an out-of-control adult in need of redemption. It’s true in “When The Circus Leaves Town,” where a performer comes to terms with the emotional crash that accompanies the conclusion of a pumped-up show. It’s even a tenet in “One Woman,” a ballad that finds a former playboy recognizing his old choices and behaviors were a shallow pursuit next to the promise and solidity that stand before him.
Valet parking is available at the Ryman for most shows (excluding Opry at the Ryman) provided by Nissan. To utilize the valet parking please enter the Ryman drive from Fifth Avenue and pull up the valet stand. Cost of parking is $20.00 per car. If you drive a Nissan, valet parking is free. Please note that the valet will be open until approximately one hour after the show ends.
There are also many paid parking lots and street meters in the area around the Ryman. For further parking information please visit Park It! Downtown.
To purchase accessibility seating for any Ryman show, please call (615) 889-3060.
Service animals are welcome in Ryman Auditorium. Service animals must be wearing proper identification [i.e. red vest] and/or individuals must have proof of certification or a license for the service animal. The ADA defines a service animal as any guide dog, signal dog, or other animal individually trained to provide assistance to an individual with a disability.